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Consciousness descends on him by inches, and with the growing light that has been edging onto his pillow comes the growing awareness that the other side of the bed is empty.
There's a terrible crick in his neck, as well; he remembers waking with a start after drifting off over his book last night, Crowley still snoring blithely on beside him, and crawling under the covers rather than waiting any longer for the demon to wake. He's slept the night through, and while he can see that it's still early morning outside, daylight has fully broken across the water.
He sits up carefully, rubbing at his neck as the crick fades. The suitcase abandoned last night is nowhere to be seen, but Crowley's watch is on top of the dresser, and a few of his own handkerchiefs are folded in a neat pile nearby. Someone's unpacked, then. He looks again at the sky out the window, frowning; it can't be more than nine yet.
He stands carefully, considers making the bed, and just as quickly discards the idea. He'll do it when he's getting dressed, perhaps.
He wanders into the kitchen with a vague idea of making some tea, discovers a bowl of apples on the counter, and glances out the window for the culprit. There on the veranda, hair lifting gently in the breeze, is Crowley.

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Bristling slightly, Crowley gives Aziraphael an as if, you smug prat sort of look, drags himself to the edge of the bed, hauls himself to his feet, and - well, yes, alright, wobbles (ever so faintly) over to the dresser.
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"I don't suppose you'd toss me my swimming things whilst you're looking through the dresser," he suggests. "I don't doubt you can find them more quickly than I can after all that unpacking."
He doesn't actually expect anything of the sort, but it's worth a try if he can keep reclining here and watching.
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Discretion being the better part of valour, rather than do himself and his dignity serious damage by attempting to pull them on whilst standing, Crowley drifts back towards the bed.
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"Thank you, my dear," he says, trying not to sound too surprised. He scoots to the edge of the bed to pull them on, but his eyes are still on Crowley.
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"What is it?" he asks, folding his hands carefully in his lap.
Much more of this and he's going to have to reach out again. That would be a bad idea if they're going to get anything at all done today.
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His grip loosens on Aziraphael's elbow, as though he's about to let go, and then tightens again uncertainly.
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But the grip of Crowley's fingers hints that the continued contact is not unintentional. And that's all the suggestion he needs to allow his hands to drift forward and brush against the sides of Crowley's hips.
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(He looks like he's not sure what he's on the edge of, but that's not true at all.)
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Certainly not helpful. He takes a breath, and waits.
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"I got some tea, as well," Crowley says.
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His hand drops from Aziraphael's elbow as he shrugs, voice lightening once again.
"A few. Saw a mango one I thought would be - " he jerks his head towards the scene outside the window, " - appropriate, sort of."
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"Very, er. Tropical. Fruits make excellent flavoured teas."
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He scratches at his jaw, and steps back, shrugging again.
"They're in the cupboard."
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"I'll make some to have while I read, then. Would you like a cup?"
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"No. Maybe later."
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And leans in to brush his lips across Crowley's cheek as he passes. On holiday, and all.
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A few steps bring Crowley to the window, where he leans on the sill, fingering the shallow grooves worn by the shutter bolts.
I got some tea, as well. For fuck's sake.
A huff: short, and not so soft as the velvety breeze.
(When he looks down at his hands, the memory of Aziraphael's - weight sneaks up on him. His forehead furrows.)
But then - there's the velvety breeze, and the sun on the vivid green palms, and the sky that seems like it could go on forever. Even though it won't.
And the smell of mango tea.
With another huff, he pushes himself upright, and pads into the kitchen.
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"An excellent blend, my dear; you did well," he says, and hums appreciatively as he takes a sip.
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He snags another apple from the bowl, tossing it restlessly from hand to hand.
"You headed down to the tree, when you're done, or staying up here?"
The veranda has chairs, but not much shade to speak of; the tree, vice-versa.
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"I suppose I can bear the sunshine until you finish your chapter. And I can bring this with me."
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"Fair enough," he says.
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