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Consciousness descends on him by inches, and with the growing light that has been edging onto his pillow comes the growing awareness that the other side of the bed is empty.
There's a terrible crick in his neck, as well; he remembers waking with a start after drifting off over his book last night, Crowley still snoring blithely on beside him, and crawling under the covers rather than waiting any longer for the demon to wake. He's slept the night through, and while he can see that it's still early morning outside, daylight has fully broken across the water.
He sits up carefully, rubbing at his neck as the crick fades. The suitcase abandoned last night is nowhere to be seen, but Crowley's watch is on top of the dresser, and a few of his own handkerchiefs are folded in a neat pile nearby. Someone's unpacked, then. He looks again at the sky out the window, frowning; it can't be more than nine yet.
He stands carefully, considers making the bed, and just as quickly discards the idea. He'll do it when he's getting dressed, perhaps.
He wanders into the kitchen with a vague idea of making some tea, discovers a bowl of apples on the counter, and glances out the window for the culprit. There on the veranda, hair lifting gently in the breeze, is Crowley.

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"Actually," Crowley says, removing the stolen paperback from his stomach to the tabletop, and swinging his feet down so as to twist and look up at Aziraphael without overbalancing. "Now that you mention it, there's something I've been meaning to bring up."
...Word choice.
Oh well. If Aziraphael notices, he'll probably think Crowley did it on purpose.
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...No reason.
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He reaches out to pick at the hem of Aziraphael's pyjama top.
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"Something important?"
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"This," he elucidates finally.
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"You've been meaning to bring 'this' up?"
Some confusion might be slightly more apparent if his focus had not shifted to tracing the shell of Crowley's ear; as it is, he only looks vaguely distracted.
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He seems to forget for a second or two, on account of, on account of his ear, gosh that's nice.
- He stands up, capturing Aziraphael's hand in his own as a further preventative measure.
(His skin is warm - deeply, fiercely warm, like midday sand, and flagstones in the sun.)
"This," Crowley says again, a gesture with his free hand sketching out his meaning: the beach, and the sky, and the shining sea, and the loving, yellow sun. "I'm."
"Thanks," he says. "Thank you."
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"You're very welcome, my dear," he says, his free hand sliding up to the demon's shoulder.
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He feels so conscious, so acutely aware of everything - the tiny grains of sand between the boards beneath his feet; the feel of paper against his fingers; the smell of salt on the wind (in his hair, against his face); the tart, sweet taste of apple juice on his tongue. And the bright, wondrous lights, still dancing against the night sky, whenever he closes his eyes. He feels almost like he does after a discorporation. After dying, and coming back to life.
But this - this, the way it's hard to breathe when he doesn't even need to, the way the gentle brush of Aziraphael's lips makes him want to say stupid, irrevocable, unanswerable things, only he can't get them out, because all the room in his throat is taken up by his heart.
This. He'd feel like this anyway. Because Aziraphael didn't have any reason to do this.
He'd just thought that Crowley looked wretched.
(He'd thought of bedsheets, and central heating, and the empty spaces where post-its should have been, and the empty space in the lining of his jacket where a white feather should have been, for - so very long.)
Fiat lux.
Crowley leans in to kiss Aziraphael's smile.
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His hand slides over Crowley's shoulder once again and down his back, then the arm goes around his waist.
His smile only widens between kisses.
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He loves how green the palm fronds are. Sunkissed, and floating in the breeze - a vivid, living green.
It's his other hand now that toys with the hem of Aziraphael's fantastically horrible pyjama shirt. And then (a pause), he slides it underneath, fingertips just barely brushing the skin of Aziraphael's stomach.
"Extremely grateful," he leers.
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"As I seem to recall you said once, this really is meant to be all about you," he points out once he feels a little more in control of himself. His hand is winding into the untucked tail of Crowley's shirt.
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"I'll be happy to show you, then," he says, pulling back and tugging lightly on Crowley's hand.
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"Um," Crowley says eloquently. "That's not really what. Uh."
He lags a little behind Aziraphael, something faintly uncertain in his face, but allows himself to be led nevertheless.
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"Much more sturdy than the chair," he mumbles almost inaudibly, and showing very little of his usual restraint, he turns to kiss Crowley deeply while his hands go to the buttons on the demon's shirt.
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(It keeps Aziraphael close, even when he does insist on pulling back to check his progress.)
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Twice he almost gives up and puts his arms around Crowley's neck or waist (depending on how far along he is, of course), but after what must have been hours, at last the buttons have all been pulled through their infernally tiny holes, the shirt hangs open and he can slide his hands underneath.
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As should surprise no one, the demon has little reservation in taking the easy way out; while he begins to open the first few buttons of Aziraphael's pyjamas simply for the sake of it, for the sensation of his knuckles brushing the skin of Aziraphael's chest, he gets only halfway before the rest of the buttons find themselves mysteriously undone.
His fingertips skirt above the angel's waistband, tantalisingly close, before skimming up to slide the shirt from Aziraphael's shoulders.
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He pushes Crowley's shirt off his shoulders as well, uses his hands to trace down his arms to push off the sleeves.
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This -
(really is meant to be all about you)
Yes. This is familiar ground.
"I hope," Crowley says, grin smug and voice breathless. "I hope you didn't have any plans for this morning."
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"That depends entirely," he says, "upon what you mean by plans." and leans carefully forward until both of them topple onto the rumpled blankets.
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(Or, to put it another way: Aziraphael's shoulder, which gets a rather sharp jab from Crowley's chin.)
"Other plans," he clarifies, rubbing his chin and grinning behind his hand.
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He braces his weight on one elbow, which means the other hand is free to roam. It does, slowly, lingering on Crowley's face, the underside of his chin, that ever-fascinating collarbone.
It might occur to him to move up the bed sooner or later.
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